
View of Angoulême
Paul Michel Hossard (French, 1787–1862)
daguerreotype, applied color
Cleveland Museum of Art · John L. Severance Fund · CC0 1.0Halaman 626 dari 1673. Setiap karya memiliki satu profil kanonis.

Paul Michel Hossard (French, 1787–1862)
daguerreotype, applied color
Cleveland Museum of Art · John L. Severance Fund · CC0 1.0
Pietro Longhi (Italian, 1702–1785)
black chalk (costume) and red chalk (sleeve and hand)
Cleveland Museum of Art · Gift of the Artemis Group/David Carritt, Ltd. · CC0 1.0
Nicolaes de Bruyn (Netherlandish, 1571–1656); after: Gillis van Coninxloo (Netherlandish, 1544–1607)

Thomas Doughty (American, 1793–1856)
brush and brown wash over graphite; framing lines in brown ink (scored)
Cleveland Museum of Art · John L. Severance Fund · CC0 1.0
James Fitzallen Ryder (American, 1826–1904); published by: Atlantic and Great Western Railway
albumen print from wet collodion negative
Cleveland Museum of Art · John L. Severance Fund · CC0 1.0
Jules DuClos (French, 1824–1879)
albumen print from wet collodion negative
Cleveland Museum of Art · John L. Severance Fund · CC0 1.0
Étienne Carjat (French, 1828–1906)
albumen print from wet collodion negative
Cleveland Museum of Art · John L. Severance Fund · CC0 1.0
Henri Le Secq (French, 1818–1882)
salted paper print from calotype negative
Cleveland Museum of Art · Andrew R. and Martha Holden Jennings Fund · CC0 1.0
Louis de Clercq (French, 1836–1901)
albumen print from calotype negatives
Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · CC0 1.0
Nama pembuat belum tercantum pada daftar atribusi museum
Six-panel folding screen; ink and color on hemp
Cleveland Museum of Art · Leonard C. Hanna Jr. Fund · CC0 1.0
Pietro da Cortona (Italian, 1596–1669)

Hendrik van Balen (Flemish, 1575–1632)